A comic recently asked me what he needs to go "pro". I thought my answer might be of interest to others so here it goes:
First of all, it depends on what you mean by "pro". I like to caution all comics from focusing on money. When you start to focus on money, you get jaded and your life is filled with disappointment. There isn't much money to be made in comedy, it should always be an art form that we engage because we enjoy it. they day you start doing it for the paycheck is the day life starts to suck. Not only because it takes away from the joy of doing what you love, but the paychecks blow.
Money comes in time, focus on making yourself a marketable commodity. anyone can tell jokes and get laughs, but how many people encourage total strangers to leave their homes and take a chance on a night out in a shitty club serving over-priced drinks? until you have a following you aren't really worth anything to club owners and bookers. Talent is easily replaceable. Sure, they will compensate you for your time, but nobody can live on what you'll get paid for host / feature sets. Even if you are getting steady work, you aren't going to earn enough to pay for much more than gas.
I know people that are more than 10 years deep that struggle. The most successful "pro" comics are those that live at home or with a spouse that supports them. Or support themselves by some other means.
Basically, what I am saying is accept money gracefully when it is offered to you but don't expect it. don't count on it. and don't ever feel entitled to it.
The few "pro" early-tenure comics out there that claim to make a living in comedy, are in fact making a living by producing comedy shows. And even then, it's a meager existence. But, if you are so inclined and have an entrepreneurial streak that is the best way to go. Own your own. I have supported myself for over 5 years throwing comedy shows, and in the process got a whole lot more stage time than I would have otherwise. How to do that is going to depend on your resources and ability to recognize opportunities.
For example, I've got a really unique niche at the moment where I've combined my background in Psychology with my experience as a comedian into something really marketable, comedic motivational speaking. I get good crowds, i tell lots of jokes, and i am supporting myself because I found an opportunity.
The traditional route of working the open mics to get to host / feature and then get noticed and land that TV / Movie gig works for a few comics, but not for most. There is no standard career path for comedians. you have to create your own path.
However all that said, yes get some good head shots. yes, get a good demo video. a URL should be good enough for most bookers, no need to mail a press kit. get a good bio to introduce yourself with and network network network. then network some more. Also, invest in PR and marketing, beyond facebook. You are now a brand. Market yourself as you want to be represented.
Be good to the people you meet along the way. Asshole comics, even really funny ones, get a lot less work.
I hope that helps.
Sunday, March 24, 2013
Friday, March 8, 2013
Thursday, February 7, 2013
Rejected Beastie Boy Lyrics
Twitter hashtag jokes are a lot like "The Aristocrats", that is you begin with the punchline and work backwards toward a set up.
I've been a fan of the Beastie Boys since their first album came out. They've got some great songs, and any fan of the group probably has at least the entire Licensed to Ill album memorized. I don't know how this got started but for some reason the idea of "Rejected Beastie Boy Lyrics" got stuck in my head yesterday and I got a little overactive on Twitter.
For those of you that don't follow my twitter, here are Rejected Beastie Boy lyrics, Volume 1:
I've been a fan of the Beastie Boys since their first album came out. They've got some great songs, and any fan of the group probably has at least the entire Licensed to Ill album memorized. I don't know how this got started but for some reason the idea of "Rejected Beastie Boy Lyrics" got stuck in my head yesterday and I got a little overactive on Twitter.
For those of you that don't follow my twitter, here are Rejected Beastie Boy lyrics, Volume 1:
- White Castle fries only come in one size, so you better buy two, problem solved.
- I'm as cool as a cucumber in a bowl of ranch dressing.
- Got busy in Frisco, fooled around in Fresno, got over on your girl cuz that bitch will do anyone famous.
- I've got a license to kill. I think you know what time it is, it's time to make the donuts
- I love White Castle, cuz it's the best. Well, it gives me diarrhea actually, but it's cheap.
- You gotta fight ... for your right ... to vote!
- No sleep til I've yanked one.
- My name is MCA and I'm gonna die first.
- I'm Mike D and I get respect. R E S P E C T find out what it means to me.
- With MCA, Ad Rock, Ricky Rubin, and me Mike D.
- Pump it up homeboy just don't stop. Chef Boyardee tastes great when high.
- Got arrested at mardi gras for jumping on a float. My man MCA got a beard like ZZ Top.
- Got a peg leg at the end of my stump, never go out without my F me pump.
Sunday, February 3, 2013
Monday, January 28, 2013
On the Road with Truvy Trollop!
Folks, It's good to be Dr Brian. While on the road in Nashville I ran into famed burlesque performer Truvy Trollop. You don't need any more of an introduction than that, just watch the video.
Thursday, January 17, 2013
Dr Brian needs a Theme Song!
Hey gang, Dr Brian is in need of some theme music. Something short and sweet that really captures the swank & sophistication of his work. Think you would like to give it a try? To paraphrase the millions of Mardi Gras parade goers "Submit me something, mister!"
In the meantime, check out a few of the submissions so far:
In the meantime, check out a few of the submissions so far:
Wednesday, January 9, 2013
On the Road: in Brian Vs Food: Chicago
This is an older video I recently re-cut to be even more awesome (or less sucky, depending on your point of view) following my exploits in the great city of Chicago!
Thanks to the always funny Richard Wentz for his awesome work on this.
Thanks to the always funny Richard Wentz for his awesome work on this.
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